Marius Sperlich

A first-party audience engine for an artist with 500K+ followers and no structured buyer data.

An artist with 500K+ followers and international gallery representation, but no structured data on who was buying his print drops — or who should be.

01The data gap

Half a million followers. Gallery shows in Berlin, Miami, New York, Sao Paulo. Print drops that sell out. But no structured understanding of who was buying — demographics, preferences, price sensitivity, purchase patterns. The audience was there. The intelligence wasn't.

02Building a collector profiling system

We built a collector profiling system into the web store. Buyers and browsers encounter preference selectors and interactive prompts woven into the shopping flow — not surveys, not pop-ups, but decisions that feel like part of the experience. Each interaction captures aesthetic taste, price range, and purchase intent as structured data.

03From profiles to lookalike audiences

That structured first-party data seeds custom audiences on paid channels — real profiles replacing the guesswork that died with third-party cookies. The store now knows more about its audience than most galleries know about their patrons.

Data

  • Zero-party data strategy
  • Audience profiling
  • Lookalike audience engineering

Product

  • Gamified commerce
  • Web store development